List of Adverbs for Writers

Hey Writers!  Here is a list of adverbs I’ve compiled to help you become a better writer! (please read all the way to the bottom)

A

absurdly
adoringly
advantageously
adventurously
aggressively
agreeably
alarmingly
angrily
apologetically
arrogantly
asininely
assuredly
awkwardly
B bashfully
blindly
boldly
brashly
bravely
brazenly
brightly
blissfully
C callously
charmingly
cheerfully
clamorously
classily
cleverly
crazily
considerately
contemptuously
cordially
courageously
cowardly
coyly
crassly
D dangerously
debonairly
delightfully
devilishly
disdainfully
dutifully
E eagerly
earnestly
elegantly
evenly
evilly
exhaustingly
expectantly
F forcedly
favorably
fearfully
fiercely
fierily
fitfully
flirtingly
foolishly
furiously
G garishly
garrulously
gladly
gleefully
gracefully
graciously
gratefully
groggily
H haughtily
heavily
honestly
hopefully
hopelessly
humorously
hungrily
hurriedly
I ingratiatingly
innocently
inquiringly
inquisitively
insightfully
intuitively
irritably
J jealously
jokingly
jovially
K kinetically
kinkily
knavishly
knowingly
kookily
L lamentedly
languorously
lasciviously
longingly
lovingly
lucidly
lusciously
M madly
magnanimously
malevolently
maliciously
malignantly
maniacally
manipulatively
masterfully
meditatively
mellifluously
melodically
menially
mercifully
mercilessly
mournfully
N nasally
nastily
naughtily
nauseatingly
needily
nefariously
negatively
nervously
noisily
O obediently
obligingly
obnoxiously
obsessively
obstinately
oddly
offensively
openly
optimistically
ostentatiously
P pallidly
pitifully
placidly
plainly
pleasingly
politely
poorly
Q quaintly
queasily
queerly
querulously
questioningly
quickly
quiescently
quietly
R rabidly
rambunctiously
raucously
realizingly
rejoicingly
relishingly
roguishly
S sadly
salaciously
sanguinely
savagely
sentimentally
seriously
speedily
sexily
sharply
silently
sloppily
slowly
spaciously
superciliously
T tacitly
tastefully
teasingly
tediously
thankfully
tragically
tumultuously
U unabashedly
unapologetically
undeniably
unwaveringly
urgently
usually
V vaguely
victoriously
villainously
violently
vivaciously
vociferously
W warmly
waveringly
wearily
wickedly
willfully
wistfully
woefully
X xenophobically
Y yearnfully
youthfully
Z zanily
zealously
zestfully

How can you use these adverbs to become a better writer, you ask? I have an answer for you:

Don’t.

I listed out all these adverbs to remind you to avoid using them, and let your writing better speak for itself.

As Stephen King said (note, I disagree with the author of this post, but it contains King’s quotes and illustrates his points well) “the road to hell is paved with adverbs.”

Or at the very least, use them sparingly.

The Body in the Quarry

The needle had just traversed passed the last few bars of Hotel California when the knock at the door came. The record continued spinning, onto the next track, and I got up to answer.

I unlocked it and pulled it open. Behind the storm door stood Constable Rivers and another young policeman. The sky was overcast and grey, full with heavy clouds. It looked like it had been raining. The wet smell came in through the wire grill of the metal and glass barrier between me and the two officers of the law.

Pushing the door open, I greeted the Constable with a bright smile on my face.

“Tom! Hello! What brings you down to this neck o’ the woods?” Rivers’ expression remained deadly serious and he did not smile in return. The officer behind him, a lanky white kid with tufts of black hair peeking out from beneath his cap, looked nervous.

“Good afternoon, Chuck. Surely you’ve heard about what’s going on down at the quarry?”

“Of course, why everyone in town has! Terrible business what happened – that poor hiker finding the body washed up like that – or at least that’s what I heard.”

“Yes. You see, that’s why where here.” For the first time I noticed that Tom was holding something in his hand, it looked like a small scrap of paper.

“What do you mean?” My mind raced with thoughts about what the body in the quarry could possibly have to do with me. “Is this something you’re telling the whole town about? Some sort of community outreach?”

“No, Chuck, though I must say, I do wish that were the case.” Rivers’ face remained grave as a mortician’s. “You see, Andy and I here just came from the city morgue. We’re going to need you to come back with us, and then to the station, to answer a few questions.”

A hand grabbed my heart and squeezed. “Tom, surely… I… what’s happened?”

He held out the scrap to me, and I took it from him. I saw now that it was a Polaroid. It was pale and ashen, but the face of the corpse was one I recognized instantly.

“It’s you, Chuck,” Rivers said. “The body in the quarry was you.”

Downpour

The rain in spain
Falls mainly in the plain
Still, I feel I must explain
All of life is pain

Shards of broken glass,
axes and knives
these are the forces
defining hours of our lives

Life is hard
that’s why no one survives;
gotta get out when you know the getting’s good
no, gotta stay in time to sharpen our knives

It’s raining again
It’s raining again
The only constant is suffering
Forever changing

The “A” Game – 20K+ Randomized Writing Prompts for Flash Fiction

Something we do regularly at Toronto Horror Writers group is free-writing exercises, games, and prompts for writing flash.

For our last get together, I put together a small exercise for randomly generating up to 20,736 unique writing prompts. While I’m sure there are many other similar things out there like it, I thought I’d share for those who might be interested.

The “A” Game

Equipment required (per participant):
Copy of game sheet
– 2 six-sided dice

Procedure for each round of writing:
1. Participant rolls first die
2. Participant rolls second die. If the roll is 3 or less, than take the value of the first die. If it is 4 or greater, add 6 to the value on the first.
3. Repeat steps 1-2 for each category on the game sheet (setting, character, object, style)

When finished you should have a writing prompt built from the above
e.g. Write a horror story set on a faraway alien planet about a lawyer and an amulet.

I’ve called it the “A Game” because each of the possible 12 choices for each area (except for style) start with “a” on my game sheet. Some of my choices are quite silly – of course, you could make even more writing prompts by coming up with other settings, characters, objects, and genres!

Hopefully this will be helpful for anyone who wants to do something similar in their writing groups, or if just they want to do a fun exercise and write some flash. Let me know what you think in the comments.

– the itch

Abandoned

Captain Smith looked out over the roaring waves of the ocean. His face was still and expressionless, even with the cold sea air blowing fiercely, stinging his cheeks and making his overcoat flap behind him.

The men in the lifeboat rowed and rowed, and their oars plunged into the frothing icy water. Their muscles were burning with exhaustion but still they toiled.

“How much further, Captain?” shouted Winters, the first mate, from Smith’s side, such that the man could hear him over the raging winds. “I fear the men cannot keep up this pace and the storm will never subside. That monster – that thing – that sunk The Imperial must surely be in these waters still and giving us chase!”

The Captain raised the spyglass to his eye again, looking through the raging rains for that far-off piece of land that was to be their salvation.

On the island Smith saw gray trees blowing in the breeze, then rising into the air and twisting, twisting and roiling and elongating into thick black fleshy tendrils, and the rocks of the island shifting. As the leviathan plunged beneath the waves the last thing Smith saw was its giant eye, an eye that must have been as large as The Imperial had been herself, staring back at him through the glass.

“Captain?” Winters shouted again.

Smith lowered the telescope.

“Keep rowing,” he said.

Welcome to BigFuture™ BSI

One of the Birds bursts out of the flaming house, right through a fresh trail of flame Brick is laying down on the place, then tears off into the sky above, screeching and squawking like all hell. It’s a horrible thing, all gangly bones and green skin and that giant bony bill lined with razor-sharp teeth. Brick just caught it with the last coming out of his ‘thrower, and I can see through the mask of my suit the thing’s on fire now too, singeing from darkish green to black. It squawks and squawks and flaps its enormous wings; Brick’s throwing more up fire its way but the damn thing’s just out of reach. I hear the rest of the team screaming and hollering, then the sound of automatic fire as they let all hell loose its way.

“Burn it to the ground!” I heard Brick yelling over the din. “No survivors! Can’t let the infection spread!”

The family are running out of the house now, all on fire too: the father’s clothes are nearly burned away and the skin I can see coming through is all black; the mother’s hair is mostly gone and covered in soot and smouldering; and the small child being lead out between them is crying and looks like she crawled through a chimney a damn mile long.

The Bird’s flapping every which way, in its dying throes, slowly falling to earth; Brick finally catches it with a burst of fire and then the horrible creature’s fully ablaze. I look over and he looks back at me before letting another burst go. “What are you waiting for Sphinx, burn ’em! Burn ’em before they get away!”

The father is almost on top of me now and I can see his scared eyes grow wider as I pull the trigger. Flame engulfs him totally and he screams and the sound is horrible and higher pitched than thought it would be. The blast engulfs the woman and child too, and I can see them flailing within it, trying to run; arms, legs, faces, all turning black, skin melting away to charred muscle then bone beneath.

And then for a moment the bright light of them reminds me of my first day, of sitting in what seemed like an ordinary conference room in an ordinary office tower with a group of other ordinary people ready to join a completely ordinary company to work an ordinary 9-to-5 at an ordinary job, and me looking up into the flickering bright light of fluorescent tubes overhead.

A pretty black-haired girl with a short skirt had come in to us waiting expectantly. “Welcome to BigFuture™ BSI,” she’d said. “I am so excited to have all of you here joining us, and to tell you that for each of you, for all of you: your Big Future is a bright one.”

Deathlight

I first saw the light when I was 6, when we were gathered around my 98-year-old grandmother’s bed in the nursing home, surrounded by stale air and signs of old age. It appeared above her head and danced ever so slightly back and forth, like a tiny firefly.

“Do you see that?” I asked my kid brother, Jamie. Mother was holding Grandma’s hand. Dad was crying.

“See what?” Jamie said. Then Grandma let out one final sound and left us forever.

That was when I first knew I was special.

I’ve seen the light many times over my life since then, always appearing just before. I saw a dot of illumination right above Tommy Conway in 8th Grade, right before he got hit by a speeding car as we walked home from school. I shouted but I was too late. My parents said it was a miracle I survived.

I saw the light over and over in Afghanistan; above a new kid’s head right before he took a bullet from a sniper, hovering over Lt. Austin’s helmet while he tried to defuse an IED – my right ear still rings with tinnitus from time to time, above countless men on the other side before I watched them shot dead or blown into millions of pieces.

I’ve retired now, after all that happened, gone back into civilian work but a line no less dangerous. Some of it’s easy and safe, and some of it isn’t, but either way it’s never simple.

Brink and I are standing next to my car in an empty parking lot, the meeting point. One lonely streetlight far away casts the only brightness in a sea of black. He’s a little shaky – the men we’re to meet were said to have Cartel ties.

A Hummer pulls into the lot from the other end, loud rap music blaring out of open windows.

“You ready?” I say.

“Yeah,” says Brink.

I look down at my hands, and see they are shaking too – and faintly illuminated in the darkness with a dancing light from above.